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The Cook, the Thief, His Wife and Her Lover (1989): A Review

Suddhasanta Nag

The Setting: Greenaway and the Tri-part Stage

Peter Greenaway in The Cook, the Thief, His Wife and Her Lover takes his camera through an adjacent tri-stage setup, the cold foggy outside, the warm vibrant kitchen and the richly decked up banquet hall. While the first one displays cruelty, abuse and bestiality shamelessly (fittingly complemented with a pack of hungry hounds and stench of rotten meat), the third is a site of worse cruelty disguised in a masquerade of French etiquette. 
The central stage, the kitchen, becomes a refuge, an oasis of human worth, (almost perpetually blessed with the sweet voice singing a hymn of redemption). 
The meat van, filled with stinking rotten worm infested carnage becomes the purgatory through which the star-crossed lovers must pass to reach deliverance. 
Deliverance, however is a myth in this world. The promised land becomes a site of disaster.
The final request of Georgianna takes the cycle to a final close. Greenaway makes us reach the site of masquerade to witness an act of vengeance, where Albert, the Thief is taken to a point of no redemption. The painting on the wall, strangely reminiscent of Rizzoli’s “The Last Supper” exudes an aura of deceit and violence against the purest souls.

Food: The sacrament or poison?

christ sermon on food
“Whoever feeds on my flesh and drinks my blood has everlasting life, . . . for my flesh is true food and my blood is true drink. Whoever feeds on my flesh and drinks my blood remains in union with me.”​—John 6:53-56.

Interestingly, it becomes an enactment of Corpus Christi, the body of Christ, the sacrificial lamb transformed into food. But then, the act of Albert might have a disturbing Christian consolation : “He who eats My flesh and drinks My blood has eternal life, and I will raise him up on the last day.”[John 6:54]

The story, therefore, problematizes the possibilities and limits of redemption. How far can the holy water cleanse? It may wash away the dirt smeared on a slave by a cruel master, it may cleanse the bodies of the blood stained stink from rotten flesh, but when it comes to the blood stained soul of a murderer, the holy water is not enough.
The story is, therefore, not just about a humiliated woman’s sexual escapades assisted by a friendly associate. It is about cleansing the soul, stained and chained down in inferno.
And the chant of cleansing creates the background through a majestic refrain: “Wash me thoroughly from my inequity…”

Peter Greenaway has indeed, created a masterpiece of dramatic excellence.
Please do watch for a visual gourmet and a spiritual ecstasy.

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About Author

Monami Mukherjee

Monami Mukherjee is an educator and lifelong student of English literature. She studied at Lady Brabourne College and the University of Calcutta, where she completed her MPhil, and has 21+ years of teaching experience. Her interests include Feminism, Post-colonialism and Modernism, and through NibblePop and its YouTube channel she breaks complex texts down into simple, relatable ideas. Read more

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